Crumbsuckers

Crumbsuckers were an American crossover thrash band formed by bass player Gary Meskil in 1982 in Baldwin, Nassau County, New York. Crumbsuckers combined thrash and hardcore punk sounds and themes, making an impact on the scene with their 1986 debut album, Life of Dreams. Though the band was supported by its fanbase and fellow artists, Crumbsuckers' second album, Beast on My Back, failed to deliver on expectations. The departure of lead vocalist Chris Notaro in 1988 started the band's gradual decline, despite the Crumbsuckers' attempts to create a new identity. Even so, the band had already cemented themselves as pioneers of the crossover thrash movement. Crumbsuckers played its latest reunion show (with Chris Notaro on vocals) at the 2015 Black N' Blue Bowl Festival at Webster Hall (formerly the Ritz) in New York City on May 17, 2015. In June 1983, the band recorded a five-song demo at Nino Studio in Baldwin. The demo, unofficially called The Crumbsucker Cave (the name given to the place where Crumbsuckers used to rehearse), included a cover of Chubby Checker's "The Twist". It was with this demo that the band landed their first CBGBs showcase, and subsequent "hardcore" matinées. At that time, the lineup consisted of Dave Brady (vocals), Dave Wynn (guitar), Gary Meskil (bass) and Kevin 'Toast' Carroll (drums). From the time of their first matinée performance, they prided themselves on playing all original music, with the occasional homage to such tracks as Black Sabbath's "Sweet Leaf" and the theme from Inspector Gadget. Early in 1985, looking for a sharper edge, they added a second guitarist, fellow Baldwin resident Chuck Lenihan, and replaced Carroll with a local 16-year-old drummer, Dan Richardson. Lenihan's metal-influenced guitar solos contrasted with Wynn's blues-based offerings. Both Crumbsuckers' lyrics and musical direction took a notable turn towards a more metal edge, with songs such as "Life of Dreams" and "Return to the Womb" written around this time. Following Brady's departure, they needed to recruit a new singer and soon found one from another local hardcore band, Krakdown: Chris Notaro. With the "classic" lineup now complete, they set about recording and releasing their first album. The band recorded their debut album Life of Dreams at Systems Two Studios in Brooklyn, New York City, in 1985, which was released through Combat Records the following year. Produced by Norman Dunn, the album contained 16 tracks clocking in at less than 33 minutes. Life of Dreams delivered a collection of 158 punk/metal-style riffs, with metal-style and blues-style guitar solos, frequent time changes and Chris Notaro's gravel-style vocals. Life of Dreams met with very mixed reviews in the music press. The album's cover artwork was designed and painted by Sean Taggart, a local New York artist who had provided gig flyers for NYHC bands, as well as providing album covers such as Agnostic Front's Cause for Alarm, Carnivore's Carnivore and Retaliation, Prong's Primitive Origins and Whiplash's Power and Pain. Crumbsuckers recorded videos for three tracks from Life of Dreams "live" at CBGBs in 1986, with only one track, "Trapped," being commercially released. (The other two tracks, "Bullshit Society" and "Return to the Womb," disappeared for many years but have since surfaced on YouTube.) "Trapped" originally featured as the opening song on an underground video compilation of English and North American punk bands called Hardcore, released by Jettisoundz in 1986. The track is now widely available to view on YouTube. In the spring of 1987, guitarist Dave Wynn left the band and, after a few guitarists came and went, Robbie Koebler stepped in to help record their sophomore album Beast on My Back (the acronym B.O.M.B. being assigned to this release). The album opens with a gloomy piano passage, played by Lenihan's cousin, Mike Francis. The piece had originally been written on guitar (and performed later as such in the live arena), but offered a surprise to those listeners who had become familiar with Life of Dreams, and differed from other metal/crossover albums of the era. The guitar-driven instrumental track "Initial Shock" was penned by Matt Cardin, a fellow Baldwin native and guitarist, although no credit was actually given on the record sleeve. (Cardin had also contributed ideas to a few tracks that found their way on Life of Dreams.) The band was nominated as the "Best Hardcore Rock Band" in the 1988 New York Music Awards. By now, Crumbsuckers were partnering with some of their musical peers, including high-profile bands such as Anthrax, Megadeth and Metallica. The shoulder-rubbing also extended to lesser commercially successful artists, such as Agnostic Front, Bad Brains, Cro-Mags and Carnivore. It was during this period that Marc Piovanetti (from Carnivore) joined Crumbsuckers as a full-time guitarist, following the long-standing vacancy left open since the departure of Dave Wynn (and the subsequent entourage of stand-ins). Following a successful U.S. tour to promote Beast on My Back in 1988, playing with such bands as Sacred Reich and Pantera, Notaro decided this was not for him, citing "musical differences." At that point, the band was already contracted to fulfill a winter tour in Europe (with Onslaught as headliners) in late 1988, but Notaro's replacement for those shows, Joe Haggerty, failed to deliver the vocal performances which had become a trademark of their overall sound. Within a few weeks of returning home from their European Tour, Haggerty was fired and replaced with a local singer, Craig Allen. New material was written and tightly rehearsed, with a new sound emerging, leading to the band dropping the name Crumbsuckers in favor of a new identity as Heavy Rain. Heavy Rain offered a more radio-friendly rock sound, with vocals more akin to Queensrÿche's Geoff Tate. Whilst they retained small doses of Crumbsuckers' vigorous guitar solos, most songs were recorded and presented in a much more straight, hard rock feel. These new songs failed to attract any interest or support from record companies who had been approached. Much time and effort was spent recording a considerable number of professional studio demos between 1989 and 1990, although nothing was ever officially released. Heavy Rain disbanded in late 1990. A combination of contractual arguments and disagreements as to which direction the band should take, coupled with the poor response from potential record company interest led to the project's collapse. From the ashes of Heavy Rain (and Crumbsuckers), Lenihan began jamming with former (Stormtroopers of Death and M.O.D.) vocalist Billy Milano, under a new project called Rawhead. Meskil and Richardson came on board but, over a period of months, a revolving door of guitarists ensued. Lenihan was dismissed and replaced by another Baldwin guitarist, Al Zaleski. He was later replaced by a third Baldwin fret-wizard, Tom Klimchuck, who would eventually take a sabbatical from the band. In the late summer of 1991, Meskil came up with a new name for the band, Pro-Pain, and the band gathered at Pyramid Sound Studios, Ithaca, New York to record their debut album, Foul Taste of Freedom. However, further lineup changes took place here, with Milano being sent home (as Meskil decided to take over the vocal duties himself), whilst Lenihan was briefly drafted back in to play lead guitar, only to be ejected for a second time shortly afterwards. A new guitarist, Mike Mays, eventually ended up playing lead guitar on the album tracks. With Klimchuck all the while considered the official Pro-Pain guitarist but still unavailable to tour at that time, the baton was then passed to another new guitarist, Nick St Denis, who helped bring a measure of stability to the line up for the next few years. Pro-Pain released three albums between 1992 and 1996, touring extensively in Europe and the U.S., but the departure of founding drummer Dan Richardson in 1996 left Meskil as