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Died Pretty

band AU

Died Pretty, sometimes The Died Pretty, were an Australian alternative rock band founded by mainstays Ron Peno (lead singer) and Brett Myers (lead guitarist and backing vocalist) in Sydney in 1983. Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television. They were managed by John Needham, who is the owner of Citadel Records, their main label. Died Pretty's 1990s albums, Doughboy Hollow, Trace and Sold, appeared on the Australian Recording Industry Association (ARIA) Albums Charts but they had more success on the alternative scene. According to rock music historian Ian McFarlane they "unashamedly plundered rock's past to arrive at an original sound that was always passionate, atmospheric and uplifting ... produced some of the most inspirational rock music heard in Australia". The group formally disbanded in 2002 but the members reunited on a number of occasions for short tours in Australia. They undertook a joint national tour with Radio Birdman in June and July 2017. Died Pretty was formed in 1983 in Sydney. Peno had been a member of Sydney punk band The Hellcats (as Ronnie Pop, 1977), and followed with The 31st (in Brisbane, 1979–1981) and Screaming Tribesmen (Brisbane then Sydney, 1981–1983). In April 1983, music journalist and keyboardist Frank Brunetti of Super K had formed a duo with lead guitarist and vocalist Brett Myers from The End (in Brisbane then Sydney). Myers was a fan of American group Velvet Underground and the duo modelled themselves after experimental New York protopunk band Suicide. Brunetti suggested Peno join as singer and their first five performances were in Brisbane under the name Final Solution, after the song by Pere Ubu. Peno provided the name Died Pretty, and on drums, they recruited Rob Younger (Radio Birdman, Super K) for two months. After various bass guitarists, Jonathan Lickliter joined and Younger was replaced by Colin Barwick both from The End with Myers. Younger concentrated on his career as producer for Citadel Records. Died Pretty signed with Citadel and were managed by the label's owner John Needham. Their music started from a base of early electric Bob Dylan with psychedelic influences, including The Velvet Underground and Television. According to rock music historian, Ian McFarlane, they "unashamedly plundered rock's past to arrive at an original sound that was always passionate, atmospheric and uplifting ... produced some of the most inspirational rock music heard in Australia". The band came to the attention of the Australian independent music scene and inner city circuit. In January 1984 they recorded "Out of the Unknown", with Younger producing, which was released on Citadel as their first single. Before touring to Melbourne, Lickliter was replaced on bass guitar by Mark Lock (The Phantom Agents, End). In August they recorded a 10-minute psychedelic epic "Mirror Blues" (issued split over a 7" in Australia and intact on 12" in the United Kingdom). Barwick was dissatisfied with Died Pretty and the band tried to recruit Chris Welsh (The 31st, Screaming Tribesmen) but initially could not finance a drum kit for him. With Welsh finally on board, they recorded the extended play (EP), Next to Nothing, released in August 1985. It held a top ten position on the alternative charts for nearly 12 months, starting their career with critical attention and three alternative chart No. 1 hits in a row. UK label, What Goes On, compiled their early singles as The Died Pretty on a three-track EP and French label Closer released Next to Nothing in 1985. Three releases achieved 'Single of the Week' in UK music weekly Melody Maker, though the band did not achieve a great deal of popularity or notice by the UK public. The next single "Stoneage Cinderella" was released in June 1986, taken from their first album Free Dirt, produced by Younger, which followed in August. Free Dirt was released internationally by What Goes On and Citadel. The band went on its first tour to Europe and the United States in October, which included two weeks in France with drummer Andrew Edge filling-in for Welsh, who had broken his foot in London. Died Pretty became a popular attraction in France and Italy. The second album, Lost, was released in June 1988 on the Blue Mosque label, an offshoot of Citadel and major label Festival Records, and outside Australia through Beggars Banquet and Closer. It was the second highest selling alternative album for the year and peaked at No. 3 in Italy. Myers produced two albums for Citadel label mates Porcelain Bus. Lock departed after recording Lost but before its release – he had grown weary of touring – and was replaced on bass guitar by Steve Clark (The Glass, 30/40 Purple). Died Pretty undertook their second tour of US and Europe. Lost provided three singles – "Winterland", "Towers of Strength" and "Out of My Hands". Brunetti had left in April 1988 – his last recording, "Everybody Moves", was released as a single in 1989 – and was replaced by John Hoey, (The Thought Criminals, X-Men, New Christs) on keyboards. The band went on a third tour of Europe and US, but remained in Los Angeles at tour's end to prepare for their next album. Died Pretty recorded their third album, Every Brilliant Eye, in Los Angeles with Jeff Eyrich (The Gun Club, The Plimsouls, The Blasters) producing. It was released on Blue Mosque in April 1990. The album featured a more polished production with leaner, more rock-oriented songs – it spawned the singles, "Whitlam Square" (February), "True Fools Fall" (May) and "Is There Anyone?". Their fourth album, Doughboy Hollow, was released in August 1991 on Blue Mosque and Beggars Banquet, which peaked at No. 24 on the Australian Recording Industry Association (ARIA) Albums Chart. The album was "[b]rimming with passionate, dramatic and alluring musical vistas". It was produced by Englishman Hugh Jones (The Damned, Echo & the Bunnymen, Simple Minds). Its singles, "Stop Myself", "D.C." and "Sweetheart", despite being "near-perfect pop", did not achieve mainstream chart success. After recording the album, Brisbane bass guitarist Robert Warren replaced Clark. The band were nominated for two ARIA Awards in 1992. Welsh was replaced by a succession of drummers, Murray Shepherd (Screaming Tribesmen), Warwick Fraser (Screaming Tribesmen) and Stuart Eadie (Clouds) before he returned at year's end. Reuniting with producer Hugh Jones, their next album, Trace was released worldwide by Sony Music in September 1993, and became their biggest-selling album to date, peaking at No. 11 on the ARIA Albums Chart. It spun off four singles and videos, "Caressing Swine", "Harness Up", "Headaround" and "A State of Graceful Mourning'. The video for "A State of Graceful Mourning" was filmed in a forest that had been burned out by the 1994 Eastern seaboard fires. Soon after the release of Trace, long-time drummer Welsh left and became an English teacher in Thailand. A CD-EP, Days was issued late in 1994 with Nick Kennedy (Big Heavy Stuff) on drums. They supported R.E.M., at that band's request, on the Australian leg of their Monster Tour, in early 1995. Their next album, Sold, released in February 1996, was recorded with contributions by two drummers - Kennedy had been replaced by Shane Melder (on loan from Sidewinder). Sold reunited them with original producer Younger, who co-produced with Wayne Connolly. It was also mixed at the well-known Fort Apache Studios in Boston by Paul Kolderie and Sean Slade (Buffalo Tom, Radiohead, Dinosaur Jr). A rougher, harder-sounding collection than Doughboy or Trace, it gained critical acclaim and reached the Top 30. Its singles "Cuttin' Up Her Legs" and "Good at Love" failed to chart and Died Pretty were dropped by Sony in April 1996. Simon Cox (Juice) joined on as full-time drummer in May and the group signed back with Citadel, and released a four-track EP, Deeper in November. The EP has a guest appearance by

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