The Red Krayola

Red Krayola (originally Red Crayola) is an American rock band from Houston, Texas formed in 1966 by the trio of singer/guitarist Mayo Thompson, drummer Frederick Barthelme, and bassist Steve Cunningham. The group was initially part of the 1960s Texas psychedelic music scene and were signed to International Artists. After the release of The Parable of Arable Land and God Bless the Red Krayola and All Who Sail With It, the group disbanded. At the time, they recorded unreleased albums such as Coconut Hotel, alongside a lost collaboration with musician John Fahey which was recorded after the band performed with him at the Berkeley Folk Festival. Their performance was released as Live 1967. During the late 1970s, the group reformed in England as a two-piece with Thompson and drummer Jesse Chamberlain. Radar Records reissued the band's original material, which led to the release of Soldier-Talk, as well as Thompson working with Geoff Travis and his label Rough Trade Records. The group later underwent various lineup changes, featuring artists such as Allen Ravenstine, Epic Soundtracks, Lora Logic and Gina Birch, as well as collaborative releases with conceptual art group Art & Language such as Kangaroo? and Black Snakes. In the mid-1980s, Thompson moved to Germany and collaborated with artist Albert Oehlen on the album Malefactor, Ade. By the early to mid-1990s, Thompson returned to the United States and signed to Drag City Records with a new lineup involving members from the Chicago post-rock scene. During the 2000s and 2010s, the band continued to collaborate with Art & Language and release several albums. In 2025, Red Krayola performed new material live for the first time in over a decade at the Hollywood Palladium in Los Angeles. The Red Crayola was formed in Houston, Texas, by Mayo Thompson and Frederick Barthelme at the University of St. Thomas in mid-July 1966. Thompson was inspired to form the band after a trip to Europe in 1965. Barthelme and Thompson initially met in 1963 and later collaborated on 16mm films which they disposed of after forming the band. According to Barthelme, Red Crayola was "a name we took as a sort of parody of the clever California band names of that moment, a name that had come to us while trailing down Main Street in my roofless (courtesy of the sculptor Jim Love) blue Fiat" the name was also a homage to Thompson's mother Hazel's career as an art teacher. After briefly playing with Fred McLain, Guy Clark, Mike Driscoll and a friend of Luana Anderson. The band settled on Steve Cunningham (who previously collaborated with Malachi on the 'Holy Music' album in California) as their bassist, who joined the band in September alongside his friends, female guitarist Bonnie Emerson and harmonica player Danny Schacht. By late 1966, the band got a gig (with the help of Luana Anderson) at Mark Froman's club called Love, which became their main place to perform. They primarily covered songs such as "Louie Louie", "Colored Balls Falling", "Midnight Hour", "Gloria", "Group Grope", "The House of the Rising Sun", "Eight Miles High" and "Hey Joe". After a Red Crayola performance in which Froman came on stage accompanied by audience members, the group began to incorporate improvised compositions dubbed "free pieces". These pieces became a staple part of the band's live performances, which garnered them notoriety from clubs and venues as they were never booked twice. By December, the band shifted towards purely original material, with Thompson firing Emerson, alongside Schacht who replied, "That's OK, your music is ontologically unsound anyway". The group performed other local venues such as the Catacombs, the Vault, Love Street Light Circus and Feelgood Machine. In early 1967, as their membership grew, every additional performer in the band became regarded as a member of a secondary group called "the Familiar Ugly". In February, the Red Crayola recorded the single "Dairymaid's Lament" b/w "Free Piece", the session was produced by Bob Steffek, who approached the band for an unreleased single when he saw them perform their song "Mother" at a club in Houston. Steffek had a hit on Shazam Records with "Wild Woody", and owned a short-lived independent label called "Steffek Records". Following this, the band performed at the Gulfgate Mall for local radio station KNUZ's "Battle of the Bands", where they were discovered by International Artists producer, Lelan Rogers, the brother of Kenny Rogers, who signed the band and invited them to record a demo session at Walt Andrus studio in March. In April and May, the band recorded their debut album, The Parable of Arable Land released in June 1967, which featured instrumental cameos from 13th Floor Elevators frontman Roky Erickson. The Familiar Ugly appear primarily on tracks labelled "Free Form Freak-Out". Shortly after, they recorded their follow-up album, Coconut Hotel, but it was rejected by the label for its lack of commercial potential and not be released until 1995. However, former UCLA professor Kurt Von Meier heard the demo tapes and invited the band to perform at the Berkeley Folk Music Festival. During this period, in late June and early July, they performed concerts in Berkeley, California, and Los Angeles. Their music involved purely free improvisational guitar feedback, which audience members linked to the death of a dog due to its sheer volume. Additionally, Red Crayola also performed with guitarist John Fahey. These performances are captured on Live 1967. The band later opened for Fahey at the the New Orleans House that same month. Their performance emptied out the venue and they were paid 10 dollars to stop performing. Fahey later recorded a studio album with the band produced by his manager Ed Denson, but due to it breaching International Artists' record contract, the label demanded possession of the master tapes and threatened to not fly the band back to Texas. The master tapes were later lost. By late 1967, drummer Rick Barthelme left the band to pursue conceptual art and literature in New York. Mayo Thompson felt at "loose ends" with the label and remained in California, where he worked with Joseph Byrd of the United States of America in Los Angeles as a sound engineer. Byrd had previously sat in at early Red Krayola rehearsals and considered Thompson joining his band if only he could "sightread". A few months later, International Artists contacted Thompson about recording a new Red Crayola album, as The Parable of Arable Land had become an unexpected success. The record had sold over 50,000 copies, selling out its original pressing. Lelan Rogers stated: "The record’s an evergreen. It will always make money". However, the label had already spent the band’s share of the revenue on flying them out to Berkeley. In February 1968, the Red Crayola reformed with drummer Tommy Smith who had previously performed in the San Antonio band Bubble Puppy. Around this time, the band received a cease and desist letter from Binney & Smith, the company which manufactured Crayola crayons, over the band's name, resulting in the legally altered spelling to "Red Krayola". Their second album God Bless the Red Krayola and All Who Sail With It was released in May 1968, with International Artists promoting the record with posters, radio spots and a planned tour. However, upon release it was not as well received as their debut, selling only around 6,000 copies and being dismissed by most critics. The tour was cancelled and drummer Tommy Smith left the band after being needed elsewhere. Greek composer Manos Hatzidakis became a huge fan of the record and played it for his associate Isaac Stern. Hatzidakis later invited Mayo Thompson and Steve Cunningham to New York to discuss a project titled "Opera for Five", which was an intended rock opera, involving Emitt Rhodes or Grace Slick of Jefferson Airplane as lead singers, with the Red Krayola as the backing band. Due to Hatzidakis busy schedule, the project did not