Pop Will Eat Itself

Pop Will Eat Itself are an English alternative rock band formed in 1986 in Stourbridge in the West Midlands of England with members from Birmingham, Coventry and the Black Country. Initially known as a grebo act, they changed style to incorporate sample-driven indie and industrial rock. Graham Crabb describes their sound as "electronic, punk, alternative hip-hop, hybrid music for fucking, fighting & smoking cigars". Their highest-charting single was the 1993 top-ten hit "Get the Girl! Kill the Baddies!". After initially disbanding in 1996, and having a brief reformation in 2005, they issued their first release in more than five years in 2010. An early permutation of the band formed in 1981 under the name From Eden. Members included Clint Mansell, Adam Mole, Chris Fradgley, Malcolm Treece and Miles Hunt (Treece and Hunt went on to form The Wonder Stuff). From Eden recruited Graham Crabb from 'Kit-Form Colossus' to replace Hunt on drums before splitting up. Crabb, Mole and Mansell recruited Richard March and changed their band name to Wild and Wandering (known locally as Blind and Blundering because they always performed in an intoxicated state). The name came from a Wasted Youth album under which one E.P. was released (2,000 Light Ales from Home on Iguana Records) before eventually becoming Pop Will Eat Itself in 1986. The new name was taken from a quotation in an NME article on Jamie Wednesday by David Quantick. In 1986, the band released the "Poppies Say Grrr!" single, which became Single of the Week in the NME, and played by Janice Long on BBC Radio 1 and in the Midlands by John Slater on BRMB. The single was sold in a brown paper bag and was made available for sale at Martin Newsagents in Stourbridge High Street as well as from the home of one of the band. With their new-found popularity, the band set off on a six-week tour of Europe, often encountering hostility at the set length being less than half an hour, even though this comprised around 16 tracks: all the band had. During this time the band was listening to more hip hop (Run DMC, Public Enemy and the Beastie Boys) as well as music from a new emerging movement of sample-heavy dance records (The Justified Ancients of Mu-Mu, MARRS, S'Express and Bomb the Bass). After hearing Robert Gordon's remix of their cover of Sigue Sigue Sputnik's "Love Missile F1-11" and Age of Chance's mini-LP Crush Collision (also engineered by Gordon), the band glimpsed their future as hip-hop/dance/rock music pioneers and decided to record their debut album Box Frenzy with Gordon at Sheffield's FON studios in June/July 1987. It was here the band met The Designers Republic, which was to be the start of a successful partnership. The album came out on manager Craig Jennings' Chapter 22 label. 'CJ' still manages the band to the present day, along with the roster at his firm, Raw Power Management. The transition from punky guitar music to incorporating state-of-the-art production and new musical territories was not dissimilar to a path previously trodden by one of the band's musical heroes The Clash and subsequently Big Audio Dynamite. The album surprised the band's fans and perplexed the music critics. Crabb, now more immersed in sample-finding and songwriting, moved from behind the drum kit to being a co-vocalist with Mansell and was replaced by a drum machine called Dr. Nightmare. March took on programming duties and became the band expert on all things Atari and Akai. "Beaver Patrol", a cover of the Wilde Knights song, (suggested to the band by Bobby Gillespie of Primal Scream), caused some controversy for its offensive lyrics but "There Is No Love Between Us Anymore" made the lower reaches of the UK chart and as a result, PWEI were signed to the record label RCA. Whilst much confusion ensued around the dramatic change of direction, PWEI secured a first by being the first Western independent band to be invited to play the then-Soviet Union. The band achieved Top 40 hits with "Can U Dig It?" and "Wise Up! Sucker" from their album, This Is the Day...This Is the Hour...This Is This! In late 1988 PWEI were invited by Rush Management to support Run DMC on their European tour. Main support act Public Enemy were becoming increasingly popular and had a large and militant following who booed off all support acts, in particular, PWEI, who agreed to leave the tour when the situation deteriorated in Amsterdam. They released three albums on RCA. The first two (…This is This! and Cure for Sanity) were recorded with the aid of Flood, known for his work with Nine Inch Nails, U2 and Depeche Mode. The band toured extensively in the UK, Europe, and US, including appearances at Reading Festival. Their singles charted progressively higher, with every single release charting inside the UK Top Forty from 1990 until their final single release in 1994. On 1992's The Looks or the Lifestyle? the band recruited John "Fuzz" Townshend as their drummer to complement their pre-programmed drums. The band had discussed adding a live drummer in 1990, but touring commitments made it impractical to do so until the band were able to break touring activity in late 1991 to commence recording. The album peaked at UK No. 15 and featured the Top 30 hit singles "Karmadrome" and "Bulletproof!" Despite healthy sales and widescale touring the band's biggest supporters at RCA had left the company by January 1993 and the remaining executives did not understand the band or their music, suggesting at one meeting that EMF 'write a hit' for them. The band was dropped from the label before the "Get the Girl! Kill the Baddies!" single was released. It went on to peak at number 9 in the UK Singles Chart, becoming the band's biggest hit and making the band at that time the highest charting act to appear on Top of the Pops without a record deal. In an attempt to recoup their investment, the label released a live album Live at Weird's Bar and Grill recorded in London in October 1992. PWEI's political stance became more explicit with the release of the single "Ich Bin Ein Auslander". A collaboration with Asian group Fun-Da-Mental, the song had anti-Nazi styled lyrics and reached the UK Top 30. A different version of this song later appeared as the opening track on the 1994 album, Dos Dedos Mis Amigos. The album peaked at No. 11 in the UK Albums Chart and spawned their then final single release, "Everything's Cool", which became their ninth Top 30 UK hit. The band also collaborated with The Prodigy on the track "Their Law", featured in their breakthrough second album Music For The Jilted Generation. This track also had political content, serving as a protest against Great Britain's Criminal Justice And Public order Act 1994, which had criminalised rave culture. The band found some new popularity after signing with Trent Reznor's Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded. In March 1995 the band released the Dos Dedos Mis Amigos remix album Two Fingers My Friends! which featured remixes by The Orb, Apollo 440 and Renegade Soundwave. Crabb left the band in 1995 - originally proposing to contribute in a non-touring capacity due to fatherhood - but the band replaced him with Kerry Hammond on guitar and backing vocals, with Mansell taking over full vocal duties. The band decided to split in May 1996 (with 12 songs recorded and mixed in a state of near completion), and toured the UK briefly in June 1996 with a final live show at Roskilde. At this point, their set contained several unreleased songs from the unfinished album. Two tracks from this period were released at the time, a cover version of Gary Numan's "Friends", released on the 1997 tribute album Random, and an instrumental track called "Zero Return" on a magazine sampler. In 2013, the songs from the unfinished album were assembled into a bonus disc with the reissue of "Dos Dedos Mis Amigos", comprising the 'unreleased 1996 album', now