Billain

Billain (born Adis Kutkut) is a Bosnian drum and bass producer, DJ and sound designer from Sarajevo. He is mostly known for his distinctive style within the neurofunk genre and his collaborations with rappers Frenkie and Edo Maajka. Billain was influenced as a pre-teen by the Bosnian War. During the four-year-long Siege of Sarajevo he began to draw and later discovered graffiti and created his first hip hop productions. In search of new possibilities to express his feelings originating in the siege, at first Billain taught himself how to produce techno music and later neurofunk. Before he released his first music, Billain joined the drum and bass collective Kontra which organised many drum and bass events in Sarajevo with DJs like Matrix & Optical, Teebee, Stakka & Skynet and Konflict. His music has been played on BBC Radio 1 and has been featured on UKF Music. In 2014, Billain, alongside composer Sloven Anzulović, created and composed the sound design and music for the re-opening ceremony of the rebuilt National and University Library of Bosnia and Herzegovina, which had been destroyed in 1992. In 2018, Kutkut designed sounds for the movies Pacific Rim Uprising and Hunter Killer and created the soundtrack of the horror game Scorn. Billain also releases shortfilms about technological singularity and artificial intelligence. With his side project Aethek, he drifts towards the genre of Noise music, only focusing on sound design instead of melody and rhythm. Nomad's Revenge (2019, Renraku Global Media) Lands Unbreached (2022, Renraku Global Media) Mirror (2025, Evolution Chamber) Broken Universe EP (2010, Citrus Recordings), with Future Signal Kontra EP (2011, Citrus Recordings) #DNA EP (2014, Fmjam Records), with Frenkie Colossus EP (2014, Bad Taste Recordings) Binary Volume 3 (2014, Critical Music) Colonize EP (2015, Eatbrain) 1991 VG (2017, Renraku Global Media) as Aethek Different Eyes (2023, Vision Recordings) Rhyno / Intrusion (2008, Breed 12 Inches), Rhyno by Receptor Glome / The Solution (2010, Fatality Recordings), The Solution by High Maintenance Coded (2011, Close 2 Death Recordings), on Blood Money LP Part 1 Phalando / Away we go (2011, Close 2 Death Recordings), Away we go by Para Pranksters / Li (2011, Citrus Recordings), Pranksters by Dabs Probes / Horus 8 (2011, Syndrome Audio) Soulmatter (2011, Rise Audio), on Rise Audio EP Total Darkness / Fiber Twist (2012, Rise Audio) God Ribs (2012, Rise Audio), on RA004 EP Batbots / Manifold (2012, Bad Taste Recordings) Blockfield / Boogie (2013, Bad Taste Recordings) Supertensor / Equilateral (2013, Mindtech Recordings), Equilateral by Allied Wizard (2014, Bad Taste Recordings), with Teddy Killerz on Machine Room Level Two Device Nine (2014, Rise Audio), on RA010 EP Safety Hatch (2015, Underslung Audio) Metal Jaws (2016, Bad Taste Recordings), on MethLab, Vol. 2 Specialist (2016, Inspected Records), on Glados EP Vertebrae (2016, MethLab Recordings), on Monoleth 001 EP as Aethek Krakpot (Billain Remix) (2012, Close 2 Death Recordings), original by Optiv Half Life (Billain Remix) (2013, Civil Music), original by Reso, released on Tangram Remixed Paradox (Billain Remix) (2014, Vandal Records), original by Opsen & Primal Therapy Ambers Love Was Like A Marble (Billain Remix) (2014, Med School Music), original by Rawtekk, released on Sprouted and Reformed Tetsuo's Redemption (Billain Remix) (2014, Owsla), original by KOAN Sound & Asa Mantra (Billain Remix) (2016, Mindtech LTD), original by AKOV Rethink (Billain Remix) (2016, Othercide Records), original by Current Value Odličan CD (2005, Menart Records), album by Frenkie; production of Outro Stig'o ćumur (2006, Fmjam Records, Menart Records), album by Edo Maajka; production of Sretno dijete, Za Mirzu, Blažena tišina and Severina/Fm Jam Štrajk mozga (2012, Fmjam Records, Menart Records), album by Edo Maajka; production of Panika, Facebook, Imaš li ti šta para, RaTaTa / Moj Dj and Gube Se Prodike (2014, JabbaTon Records), by Fil Tilen and P Money Igra riječi (2014, Fmjam Records), album by Kontra; production of Velepodaja Reexperience (2015, Fmjam Records, Menart Records), album by Frenkie; production of Film, S.C.A., Izgubljeni snovi, Mali od Ede and Gdje god su moji Assembly (2014) Fugitive (2022) Pacific Rim Uprising (2018), additional synth programming Hunter Killer (2018), additional synth programming Scorn (2018), soundtrack and additional sound design "40 rotations around the sun". Billain via Twitter. Retrieved 2023-08-01. Mirko Schwanitz (2005-06-07). "Die Hip-Hopper von Sarajevo (Archiv) - Kriegskinder prägen die Kultur der Stadt". Deutschlandradio Kultur. Deutschlandradio. Retrieved 2014-12-06. Mirko Schwanitz (2006-04-02). "Manuskript: Techno in Sarajevo - Neues Leben in der Hauptstadt Bosniens". Deutschlandradio Kultur. Deutschlandradio. pp. 16–17. Archived from the original (RTF; 0,2MB) on 2016-03-03. Retrieved 2014-12-06. "Billain-Artist Biography". Drum and Bass Arena. Retrieved 2014-12-06. "Vijećnica nam se vratila iz pepela". Radio Sarajevo (in Bosnian). 2014-05-09. Archived from the original on 2014-11-29. Retrieved 2014-12-06. "Bh. producent Billain autor muzike filmova Hunter Killer i Pacific Rim Uprising" (in Croatian). Klix.ba. 2018-03-24. Retrieved 2018-04-18. "Interview: Ljubomir Peklar on horror game Scorn". PC Gamer. PC PowerPlay. 2017-11-07. Retrieved 2018-04-18. "Billain - Assembly". Red Bull Music. 2014-10-13. Retrieved 2014-12-06. Official website Billain discography at Discogs Billain at IMDb