Daniel DeShaime

Daniel DeShaime (born Jean-Marie Deschênes; 2 August 1946) is a Canadian French-language singer. Jean-Marie Deschênes was born on 2 August 1946 in Saint-Octave-de-l'Avenir, a village founded in 1932 near the Chic-Choc Mountains in Gaspésie and closed in 1971 by the government of Robert Bourassa. An author, composer and organist, he performed in Gaspésie, in the Magdalen Islands and in New Brunswick before playing for artists including Édith Butler, Angèle Arsenault, and Jacques Michel. In his childhood, Daniel DeShaime was known in his village for playing the accordion at dances and reunions. He studied classical studies at a seminary in Gaspé and the École de musique Vincent-d'Indy and at the Conservatoire de musique du Québec à Québec. Then he travelled around Gaspésie, the Magdalen Islands and New Brunswick as an organist and pianist, performing for himself and for others, singing poems for which he had composed the music, and songs by others like Claude Léveillée. He was known in Prince Edward Island for playing the organ at the famous Père Galant lobster dinners in St-Ann's and for participating in radio and television shows on Radio-Canada, the French-language national broadcasting network. By the end of the sixties, he had accompanied artists like Danielle Oddera, Aimé Major, Raymond Breau, and Calixte Duguay, and had written and performed with Edith Butler and Angèle Arsenault, with whom he collaborated for many years. At the beginning of the seventies, he became the organist for the Menuet Hotel in Cap-Chat and at the Manor in Sainte-Anne-des-Monts. He also participated in a poetry tour organised by the Ministry of Cultural Affairs with Suzanne Paradis, Marie Laberge and Pierre Morency. He performed on stage as a pianist for Édith Butler and Angèle Arsenault in French-language communities across Canada, in Europe and the United States and began writing for them and for others like Denis Losier, Donat Lacroix [fr], Calixte Duguay, Raymond Breau, Isabelle Aubret and Gérard Entremont. He was for a time the official arranger for the television show Chanson francophone on Radio-Canada in Moncton. Following the closing of his village St-Octave-de-l'Avenir in 1971, he composed the song St-Octave-de-l'Avenir and sang it for the first time in public in 1976 at the folkloric festival organised on the site of what was once the village. This song and this moment had a prominent effect throughout his career. After a year as the band leader for the television show Les Coqueluches and an incursion into theater as composer and pianist for the play 18 Ans et plus written by Jean Barbeau [fr] with Dorothée Berryman, DeShaime traveled the province in 1982 as a pianist for John Littleton with George Angers and Claude Taillefer. He wrote his first album C'est drôle comme la vie in 1983 for the Trafic Music label. He participated in the arrangement and adaptation to French of the lyrics of Daniel Lavoie for the Tension Attention album. He spent many months with Daniel Lavoie in the studio with first Jean-Jacques Bourdeau and later with John Eden, producer of the British version of Der Kommissar. His influence on the album and the use of musical instruments that were uncommon at the time, like the LinnDrum, earned him a reputation and invitations to participate in projects in England, which he declined, not wanting to be branded by a particular style. Following the success of Tension Attention, he was solicited for many projects as an author, composer, arranger and producer. He worked with Belgazou [fr], Louise Forestier, Marie-Claire Séguin [fr], Michel Lalonde [fr], Gérard Entremont, Gaston Mandeville [fr], Marie Carmen and more. He wrote and collaborated on the movies Anne Trister (directed by Léa Pool) and Night Zoo (Un zoo la nuit) (directed by Jean-Claude Lauzon). In 1984, he and Daniel Lavoie won the Félix award for Best Song of the year for Tension Attention. He also gave writing classes and was for many years the artistic director of the International Song Festival [fr] of Granby. In 1988, DeShaime released his second album Blanche Nuit including the track Un peu d'innocence for which he won the Félix Award for Best Songwriter/Composer of the year. In the nineties, DeShaime collaborated with artists like Diane Dufresne, Mitsou, Mario Pelchat and Sylvie Bernard [fr]. His third album, Histoires d'hommes, was published in 1991 and included songs likes Je l'aime encore, chosen Song of the Year by Society of Composers, Authors and Music Publishers of Canada (SOCAN) and Et mon cœur en prend plein la gueule, later sung by Isabelle Boulay. In 1992 and 1993, he toured the province first under the Réseau des Organisateurs de Spectacles de l'Est du Québec (ROSEQ) and then as a producer himself. He composed the music and the theme song for the inauguration of the newly restored Capitole de Québec in 1992. In 1992, he was elected vice-president of SOCAN and continued giving writing classes for SOCAN in Toronto, for the Association of authors of Canada and at The Music Industry Weekend of Saskatoon (Ateliers Fransask'Art). Around the same time, he took artistic direction of the Rencontres de la chanson de Régina and gave classes, as well as a concert at the Rencontres de la chanson au Salon de Provence in France. For his work with French-language artists from outside Québec, he was awarded the Cousins-Cousines prize for the personality from Québec who best understood the French communities of Canada. While I was proud to receive this honor, I still wonder why there's a prize for someone who's a French-speaking personality from Québec who "understands Canadian French-speakers" even though that's what we all are, and the understanding or pleasure of working together just felt natural to me. But I have to add, that as someone from Gaspée, from St-Octave-de-l'Avenir, I felt maybe a bit more like a French-speaking outsider than a Quebecois. — Daniel DeShaime, Hommage à Angèle Arsenault DeShaime also gave concerts and classes and acted as the spokesperson of the Rencontres internationales de la chanson au Mont Orford and at the Festival en chansons de Petite-Vallée. In 1993, Isabelle Boulay won the Truffe d'Or and a festival in Périgueux with the song Les canards (later named Il fallait pas). They worked together to record her first album Fallait Pas, a selection of covers (Un peu d'innocence, T'es en amour, Qu'ils s'envolent, Et mon cœur en prend plein la gueule, Il fallait pas) and new songs (La Vie devant toi, J'enrage, Sur le tapis vert, Pour demain, pour hier, Un monde à refaire) all by DeShaime. Passionate about computers, he created software to manage his royalties and was introduced by Daniel Lafrance, who became his associate, to the music publishing industry. He created Ze Publisher Inc.. By the end of 1996, he moved to France. He officially returned to Canada thirteen years later. Daniel DeShaime managed his company Ze Publisher in Paris while developing tools for music publishers. He acted as a consultant for the Chambre Syndicale des Éditeurs with Société des auteurs, compositeurs et éditeurs de musique (SACEM) and in the royalty management domain for SACEM, SOCAN and other collection societies around the world. He was recognised at the 2000 Gala of SOCAN for Un peu d'innocence and in 2006 for Fouquet's and Roule ta boule with Daniel Lavoie. In 2006, asked by the owner of the Château du Rivau, he composes variations based on an old folkloric theme from France J'ai descendu dans mon jardin. The various themes can be heard while visiting the gardens of the castle. In 2008, while in Québec, Daniel DeShaime gave his first concert in 15 years in the church of Saint-Octave-de-l'Avenir as part of a reunion of the inhabitants of the former village. After the concert, the management and the public named the concert hall of the church after him. By the end of 2009, he came back from France for good. In 2009, he began writing in collaboration with the authors Georges