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James Mtume (jazz/funk musician)

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James Forman (January 3, 1946 – January 9, 2022), known professionally as Mtume or James Mtume, was an American jazz and R&B musician, songwriter, record producer, activist, and radio personality. He came to prominence as a jazz musician, working with Miles Davis between 1971 and 1975. Mtume's R&B group, also called Mtume, is best known for the 1983 R&B hit song "Juicy Fruit", which has been repeatedly sampled, most notably by The Notorious B.I.G. on his hit "Juicy". Mtume the band also had a top-five R&B hit with the single "You, Me, and He". Mtume was born James Forman on January 3, 1946, in Philadelphia, Pennsylvania. He was the son of jazz saxophonist Jimmy Heath, and was raised by his mother, Bertha Forman, and his stepfather, a Philadelphia local jazz pianist, James "Hen Gates" Forman. He grew up in a musical environment with jazz musicians frequenting his parents' house. He learned to play piano and percussion; however, from his teenage years he was pursuing athletics as a swimmer, having achieved the title of the first black Middle Atlantic AAU champion in the backstroke, and in 1966 he entered Pasadena City College on a swimming scholarship. In 1966, Mtume joined the US Organization, a Black empowerment group founded by Hakim Jamal and Maulana Karenga, while a student at Pasadena City College. Mtume received his name, which means "messenger" in Swahili, from Karenga who gave members of the organization names to match their personality traits. He was part of the group which celebrated the first Kwanzaa in 1966. In 1967 he co-edited The Quotable Karenga with Clyde Halisi, which has been called "the best expression of Karenga's ideas". Mtume left the US Organisation in 1969. In 1995 he met Louis Farrakhan and remained close to him until the end of his life. Mtume's professional debut was on Kawaida, a 1969 album by his uncle, Albert Heath. His first recording released under his own name was Alkebu-lan: Land of the Blacks, recorded live at The East, a Black nationalist community arts and education center in Brooklyn, and released on Strata-East Records. Both albums were intended to merge free jazz and cultural identity. After his return from the West Coast he moved to New York City and had his first gigs as a sideman for McCoy Tyner (Asante album), Freddie Hubbard, and Miles Davis, whose group he wound up joining and playing in for the next few years. With fellow Mtume band member Reggie Lucas, he won the Grammy Award for Best R&B Song for writing and producing Stephanie Mills' top-ten hit "Never Knew Love Like This Before", for which she also won a Grammy for Best Female R&B Vocal Performance. In 1994, Mtume created music for the show New York Undercover while also creating musical appearance opportunities for other artists on the show. In July 2018, Mtume filed a lawsuit against Sony Music/Epic Records, hoping to reclaim the rights for two albums and his hit single "Juicy Fruit". Mtume claimed to hold the sole copyright of these recordings, while Sony insisted that the albums were made for hire. He was married 55 years to Adrienne Young, whom he named "Kamili" which means "perfect, near perfection." They met at a US Organization gathering in Los Angeles in 1966. Mtume and Kamili raised five children, and have five grandchildren. He died in South Orange, New Jersey, on January 9, 2022, at the age of 76. James Mtume's discography includes: Alkebu-Lan: Land of the Blacks (Strata-East, 1972) - with Mtume Umoja Ensemble (Carlos Garnett - Tenor & Flute, Leroy Jenkins - Violin, Gary Bartz - Alto and Soprano Sax, Stanley Cowell - Piano, Buster Williams - Bass, Billy Hart - Drums, and Joe Lee Wilson, Eddie Micheaux, and Andy Bey - Vocals. Yusef Iman and Weusi Kuumba - Poets. Rebirth Cycle (Third Street, 1977) - with Jean Carn, Stanley Cowell, Dee Dee Bridgewater, Jimmy Heath, Cecil McBee, Leroy Jenkins, and Azar Lawrence. Kiss This World Goodbye (Epic, 1978) - with Mtume In Search of the Rainbow Seekers (Epic, 1980) - with Mtume Juicy Fruit (Epic, 1983) - with Mtume You, Me and He (Epic, 1984) - with Mtume Theater of the Mind (Epic, 1986) - with Mtume With Gato Barbieri Under Fire (Flying Dutchman, 1973) – rec. 1971 Bolivia (Flying Dutchman, 1973) With Miles Davis On the Corner (Columbia, 1972) In Concert: Live at Philharmonic Hall (Columbia, 1973) Big Fun (Columbia, 1974) Get Up with It (Columbia, 1974) Dark Magus (Columbia, 1974) Agharta (Columbia, 1975) Pangaea (Columbia, 1976) – rec. 1975 The Complete On the Corner Sessions (Columbia, 2007) Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4 (Columbia Legacy, 2015) With Jimmy Heath The Gap Sealer (Muse, 1973) The Time and the Place (Landmark, 1994) – rec. 1974 With Eddie Henderson Heritage (Blue Note, 1976) Comin' Through (Capitol, 1977) Mahal (Capitol, 1978) With Sonny Rollins Horn Culture (Milestone, 1973) Nucleus (Milestone, 1975) With Pharoah Sanders Wisdom Through Music (Impulse!, 1973) Love in Us All (Impulse!, 1974) With Buddy Terry Awareness (Mainstream, 1971) Pure Dynamite (Mainstream, 1972) With McCoy Tyner Asante (Blue Note, 1974) – rec. 1970 Handscapes 2 (Strata-East, 1975) – rec. 1974 With others Art Farmer, Homecoming (Mainstream, 1971) Carlos Garnett, Black Love (Muse, 1974) Albert Heath, Kawaida (O'Be, 1970) – rec. 1969 Harold Land, A New Shade of Blue (Mainstream, 1971) Azar Lawrence, Bridge into the New Age (Prestige, 1974) Abbey Lincoln, People in Me (Philips, 1973) Lonnie Liston Smith, Astral Traveling (Flying Dutchman, 1973) James Spaulding, James Spaulding Plays the Legacy of Duke Ellington (Storyville, 1977) "The Closer I Get to You" (1977) written with Reggie Lucas. Performed by Roberta Flack and Donny Hathaway on Blue Lights in the Basement. Atlantic Records, 1977. "Back Together Again" (1980) written with Reggie Lucas. Performed by Roberta Flack and Donny Hathaway also. The score to the 1986 movie Native Son Stephanie Mills – What Cha' Gonna Do with My Lovin' (20th Century, 1979) Phyllis Hyman – You Know How to Love Me (Arista, 1979) Rena Scott – Come On Inside (Buddah, 1979) Stephanie Mills – Sweet Sensation (20th Century, 1980) Gary Bartz – Bartz (Arista, 1980) Stephanie Mills – Stephanie (20th Century, 1981) Marc Sadane – One Way Love Affair (Warner Bros., 1981) Stephanie Mills – Tantalizingly Hot (Casablanca, 1982) Lou Rawls – Now Is the Time (Epic, 1982) The Spinners – Can't Shake This Feelin' (Atlantic, 1982) Marc Sadane – Exciting (Warner Bros., 1982) The Best of Mtume & Lucas (Expansion, 2004) – compilation Roy Ayers – You Might Be Surprised (Columbia Records, 1985) LeVert – Bloodline (Atlantic Records, 1986) Tyrone Brunson – The Method (MCA, 1986) Tawatha Agee – Welcome to My Dream (Epic, 1987) Nu Romance Crew – Tonight (EMI America, 1987) Tease – Remember (Epic, 1988) Sue Ann Carwell – Blue Velvet (MCA, 1988) Kiara – To Change and/or Make a Difference (Arista, 1989) Freeze Factor – Chill (Epic, 1989) The Comsat Angels-Falling, circa 1980. Kellman, Andy. "Artist Biography". AllMusic. Retrieved January 16, 2022. Pareles, Jon (January 11, 2022). "James Mtume, Whose 'Juicy Fruit' Became a Hip-Hop Beat, Dies at 76". The New York Times. ISSN 0362-4331. Retrieved January 12, 2022. "Interview: Mtume on Miles Davis, Juicy Fruit and Donny Hathaway's Last Recording Session". Red Bull Music Academy Daily. Retrieved December 14, 2017. Tanenbaum, Michael (January 10, 2022). "South Philly native, jazz legend James Mtume dies at 76". PhillyVoice. Retrieved January 16, 2022. Brown, Scot (2003). Fighting for US: Maulana Karenga, the US Organization, and Black Cultural Nationalism. NYU Press. p. 59. ISBN 9780814798782. Joseph, Peniel E. (2013). The Black Power Movement: Rethinking the Civil Rights-Black Power Era. Routledge. p. 341. ISBN 978-1136773471. Widener, Daniel (2009). Black Arts West: Culture and Struggle in Postwar Los Angeles. Duke University Press. p. 216. ISBN 978-0822392620. Umoja, Akinyele; Stanford, Karin L.; Young, Jasmin A., eds. (2018). "Black Music".

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