Dominic Behan

Dominic Behan (/ˈbiːən/ BEE-ən; Irish: Doiminic Ó Beacháin; 22 October 1928 – 3 August 1989) was an Irish writer, songwriter and singer from Dublin who wrote in Irish and English. He was a socialist and an Irish republican. Born into the literary Behan family, he was one of the most influential Irish songwriters of the 20th century. Behan was born in inner-city Dublin into an educated working-class family. His father, Stephen Behan, fought for the Irish Republican Army (IRA) in the Irish War of Independence. Dominic was the brother of Brendan Behan. His mother, Kathleen, a collector of songs and stories, took the boys on literary tours of the city. Behan's maternal uncle, Peadar Kearney, wrote "A Soldier's Song", the song the Irish National Anthem was based on. Another brother, Brian, was also a playwright and writer. At the age of thirteen, Dominic left school to follow in his father's footsteps in the housepainting business. The family house in which Behan lived was the property of Christine English, Dominic's grandmother, who owned several properties in the city. His father Stephen was a member of the IRA and had been one of Michael Collins' "Twelve Apostles", who were responsible for the deaths of several British intelligence officers during the Irish War of Independence.[citation needed] In 1937, the family moved to a new local council housing scheme in Crumlin. Here, Behan became a member of Fianna Éireann, the youth organisation of the IRA and published his first poems and prose in the organisation's magazine Fianna: the Voice of Young Ireland. In 1952, Behan was arrested in Dublin for leading a civil disobedience campaign in protest against the ruling government's failure to tackle unemployment and other critical economic issues. Behan was subsequently jailed for his part in other campaigns protesting the government's treatment of the working class in Ireland. On release from jail, Behan moved to Scotland for a time, living with the Scottish poet Hugh MacDiarmid in the South-side of Glasgow; Behan always credited MacDiarmid with much of his early development as a writer, coming to view verse as a more agile medium for his thoughts at that time – it would only be some years later that Behan would write his first play. Whilst living with MacDiarmid, Behan became involved in what is now known as the "Scottish Republican Army", channelling arms from the IRA with whom he had historical links, to the SRA. It was during this time that Behan met his future wife, Josephine Quinn, the daughter of John Quinn, a cabinet maker and part-time journalist from Glasgow, and Bridget Quinn who ran a safe house for various revolutionary organisations. It was in Bridget Quinn's house that Behan was first introduced to Josephine, who married Behan in 1955. Behan migrated to London, where he found work with the BBC, writing radio scripts, mainly for the Third Programme. His play Posterity Be Damned, produced in the Gaiety Theatre, Dublin, in 1959, dealt with republican activity after the Civil War of 1922–23. An autobiographical novel Teems of Times (1961) was received to critical acclaim, (particularly from the Observer theatre critic Kenneth Tynan, who was uncharacteristically effusive in his praise); the book was subsequently dramatised for television in 1977 by RTÉ. His autobiography, Tell Dublin I Miss Her, was also published in 1961 and sold well in the USA. A biography of his brother entitled My Brother Brendan appeared in 1965, but due to a legal wrangle Behan received virtually none of the proceeds of this book. During the 1960s and 1970s Behan wrote almost 20 television plays for British television in showcases such as Play for Today and Armchair Theatre. One of these plays, The Folk Singer (1972) – a story that focused on the sectarian roots of the Northern Ireland conflict, was restructured for the theatre and presented during the height of the Troubles at Belfast's Lyric Theatre starring a young Scottish actor Ken Stott. Also during the late sixties and into the early 1970s, along with writing many TV plays, poems and songs, Behan worked with the leadership of the Official IRA to raise funds (mostly raised during extended lecture tours in the United States) to establish a permanent summer school in Mornington (County Meath) the aim of which was to bring Protestant and Catholic working class youths together in an adventure setting intended to break down sectarian barriers by fostering team work. The school ran courses every year through most of the 1970s and was a tribute to Behan's belief that the troubles in Northern Ireland would be resolved only by dialogue and respect. Behan was a self-educated man whose intellect was such that he numbered many respected thinkers among his friends including the likes of Hugh MacDiarmid the Scots poet with whom he lived for three years, Louis MacNeice who became for a time a writing partner – mostly for the BBC overseas program and H. A. L. Craig the screenwriter who produced the script for the film Waterloo. Behan also found time to work in education, having been identified by the Strathclyde Region education dept as the "Writer in residence" for the Region's secondary schools. Behan enjoyed this role for more than five years, Behan always expressed a conviction that the youth were worth investing in and the role with Strathclyde Region allowed him to reach out and help aspiring talent get recognition and encouragement. Through relationships with various people in the music industry including Phil Solomon (one of the owners of Radio Caroline), Behan found himself to be often involved in helping performing artists (e.g. The Dubliners, David McWilliams, Christy Moore and many others) to develop their acts, establish an appreciation of stage craft and (especially so in the case of The Dubliners) write material. In this way, Behan made some long-lasting friendships that spanned musical genres and included friendships with Eric Burdon, Jimi Hendrix, Chas Chandler and many other artists. Behan was a prolific composer and had more than 450 songs published during his lifetime. Many of his songs were very popular in Ireland and among the Irish living in Britain and elsewhere, especially "The Patriot Game", "McAlpine's Fusiliers" (originally written by Martin Henry but adapted by Behan), "Avondale", and "Liverpool Lou". In 1958, he released The Singing Streets: Childhood Memories of Ireland and Scotland on Folkways Records along with fellow folksinger Ewan MacColl with whom he collaborated for a number of years. Behan, who was unequivocal in the defence of his copyright, publicly accused Bob Dylan of plagiarising "The Patriot Game" in writing his own "With God on Our Side". In 2009 The Patriot Game from Easter Week and After: Songs of the IRA originally issued by Topic in 1960 was included in their 70-year anniversary boxed set Three Score and Ten as track twenty-two on the third CD. Dave Cousins of the band Strawbs wrote his song "Josephine, for Better or for Worse" in honour of Josephine and Dominic Behan. This song has been recorded several times; the best-known version is on the album Dragonfly by Strawbs in 1970. Bob Dylan's 1963 song "With God on our Side" uses the melody and narrative framework of Behan's "The Patriot Game", as well as being influenced by its theme. The melody, as Behan admitted during a correspondence in The Guardian with Michael Grosvenor Myer, was actually derived and adapted from a version of the traditional song known as "The Nightingale", "The Grenadier and the Lady", "The Month of May", though had been significantly changed in both tempo and mood to serve the narrative of the song the Patriot Game. The Liverpool folk/poetry band The Scaffold produced a version of Behan's song "Liverpool Lou" in 1974 which became a top 10 hit in the UK and spawned covers in various languages across Europe. On the original Scaffold pressing, the writing credits were incorrectly attributed to Paul McCartney who