Jah Wobble
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John Joseph Wardle (known by the stage name Jah Wobble; born 11 August 1958) is an English bass guitarist and singer. He became known to a wider audience as the original bass player in Public Image Ltd (PiL) in the late 1970s and early 1980s; he left the band after two albums. Following his departure from PiL, he developed a solo career. In 2012, he reunited with fellow PiL guitarist Keith Levene for Metal Box in Dub and the album Yin & Yang. Since 2013, he has been one of the featured pundits on Sunday morning's The Virtual Jukebox segment of BBC Radio 5 Live's Up All Night with Dotun Adebayo. His autobiography, Memoirs of a Geezer, was published in 2009. Wardle was born on 11 August 1958 in Stepney, East London. His father, Harry Eugene Wardle, worked as a postman, while his mother, Kathleen Bridget (née Fitzgibbon), was a school and County Hall secretary. Wobble grew up with his family in Whitechapel's Clichy Estate in London's East End. He is a long-time friend of John Lydon (Johnny Rotten), whom he had met in the 1970s at London's Kingsway College. The two formed half of the group of friends known as "The Four Johns", along with John Gray and John Simon Ritchie (Sid Vicious). Jah Wobble adopted his stage name after a drunken Sid Vicious mumbled Wardle's name, which he kept, noting that "people would never forget it." In his early life and career, by his own admission, Wardle was given to occasional bouts of aggression, exacerbated by heavy drinking and drug use. As a result, he ended up living in a squat with John Gray in West London, while Lydon formed The Sex Pistols. With admittedly large "builder's hands", he had experimented with the guitar, but found playing bass a more connected and whole body experience, influenced in part by admiring Bob Marley's and The Wailers bassist Aston "Family Man" Barrett on stage in 1975. Wardle was as critical of his friend Vicious's bass playing as John Lydon, and had hence played in experimentation sessions with Lydon. After he burned the furniture of his squat-mates in order to stay warm, they left him alone there with a mattress, a headboard and his Music Man-copy bass. Following the Sex Pistols' break-up, Lydon approached Wobble about forming a band. Both had similarly broad musical tastes, and were avid fans of reggae and world music. The band began rehearsing together in May 1978; in July Lydon named the band Public Image (PiL) (the "Ltd" was added several months later), after the Muriel Spark novel The Public Image. Wobble's bass playing drew heavily on dub, which has remained an important feature of his music. Prior to the break up of the Sex Pistols, Wobble and Lydon had experimented musically during which time he wrote a simple repetitive bassline which Lydon used to write the song "Public Image". In October 1978 "Public Image" was released as PiL's first single and reached number 9 on the UK charts and making an impact internationally. Wobble has stated that the first PiL album was recorded so quickly due in part to the bassist's altercations with a sound engineer and men at a nearby pub. He has dismissed claims accusing him of extreme malice, such as setting fire to the former drummer for The Fall, Karl Burns, while Burns was session drumming for PiL. Wobble co-wrote and contributed bass and drums to PiL's second album Metal Box, which was released in 1979. He grew increasingly frustrated by the lacklustre creative atmosphere in the band, which he felt stifled his artistic ambitions and PiL's creative potential. Besides differences in artistic vision, further conflicts were brought on in part by heavy drug and alcohol abuse in the band. Wobble then recorded his debut album The Legend Lives On... Jah Wobble in "Betrayal", making unauthorised use of material from Metal Box for which he was fired from PiL in late 1980. Soon after leaving PiL, Wobble formed The Human Condition with guitarist Dave "Animal" Maltby and PiL's original drummer, Jim Walker. The Human Condition toured the UK, Europe, and US in 1981, and made two cassette-only releases of their live shows (Live at the Collegiate Theatre and Live in Europe). The post-PiL years saw Wobble also collaborating with Can members Holger Czukay and Jaki Liebezeit on Czukay's solo projects (notably On the Way to the Peak of Normal and Rome Remains Rome) and Full Circle (released in 1984). In 1983, Wardle appeared on the LP Snake Charmer billed as a co-leader alongside guitarist The Edge of U2, Czukay, Liebezeit, and producer François Kevorkian. Jah Wobble's Invaders of the Heart was formed in 1982. The original line-up was Ollie Marland (who went on to become Tina Turner's musical director) on keys, Annie Whitehead on trombone, Neville Murray on percussion and a musician named only as Cliff, on drums. By 1983 Lee Partis was the drummer. Trumpeter Harry Beckett and pedal steel player B. J. Cole regularly performed with the group. By 1985 Jah Wobble's heavy drinking and drunken brawls were having an effect on his life. Halfway through the recording of the album Psalms (October 1986), Wobble stopped drinking. From then through to the present day he has remained 'clean and sober'. He then did a variety of day jobs, whilst continuing to perform and record his music in what spare time he had. These jobs included a long stretch with the London Underground. In an oft-quoted tale, it is related that he once, at Tower Hill Underground Station via the public address system, regaled commuters with the deadpan announcement, "I used to be somebody. I repeat, I used to be somebody." By 1987, due to the repeated prompting of his friend and former bandmate, percussionist Neville Murray, Wobble reformed The Invaders of the Heart. Armed with a live recording of a concert he had made with a new line-up of musicians during a European tour in 1988, Wobble travelled to New York City's New Music Seminar in 1989 to get back into the music industry. Wobble was able to secure an eleventh-hour record deal with a small European record label. The live album, Without Judgement, was recorded in the Netherlands and was released in November 1989. Following the relative success of Without Judgement, Wobble has collaborated with many musicians - Brian Eno among them - and his explorations into world music predated much of the genre's popularity. Wobble hit his commercial peak with 1991's Rising Above Bedlam. While the album did not chart, it spawned four singles including his first top-40 hit, Visions of You, featuring Sinéad O'Connor. Jah Wobble's 1994 album Take Me to God was influenced by world music genres and contributions from a variety of artists of diverse cultural backgrounds, including Baaba Maal, Dolores O'Riordan, and Chaka Demus, and was also a critical and commercial success. Although he has released recordings since the late seventies, Wobble has been particularly prolific from the mid-1990s to the present. He now runs his own label, 30 Hertz Records, and tours regularly throughout the UK and Europe with his current band, Jah Wobble & The Invaders of the Heart. His music has spanned a number of genres, including ambient music and dance music, and in 2003, reworkings of traditional English folk songs. Wobble was part of the industrial music supergroup The Damage Manual, which formed in 2000 and consisted of Wobble on bass alongside former PiL and Killing Joke drummer Martin Atkins, Killing Joke guitarist Geordie Walker, and vocalist Chris Connelly (who had previously worked with Atkins as part of two other industrial music supergroups, Pigface and Murder Inc., the latter of which also featured Walker). He appeared on the group's self-titled debut album as well as the EP One, both of which were released on Atkins' Invisible Records label, but subsequently left the group after declining to participate in their tour of the U.S. A collaboration with his wife, the Chinese-born guzheng player Zi Lan Liao, was entitled Chinese Dub. He also performed at the 2008 Rhythm Festival.
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