Hubert von Goisern

Hubert von Goisern (born Hubert Achleitner, 17 November 1952) is an Austrian singer-songwriter and world musician. With his mix of rock music and elements of traditional Volksmusik he has become a prominent exponent of the so-called New Volksmusik and Alpine Rock in Austria, Switzerland and Germany. His stage name von Goisern refers to his hometown. Hubert von Goisern has won numerous record certifications and several national and international awards. He was born in Bad Goisern. Already interested in music as a youth, he joined the local brass band where he learned playing the trumpet as his first instrument. When conflicts arose with the band leader about the band's repertoire and Hubert's long hair, he had to leave the band and return the trumpet. He then learned to play guitar starting with an acoustic guitar and then expanding his skills to a self-purchased electric guitar. He also took lessons in trumpet and clarinet. Other instruments like the Steirische Harmonika that was introduced to him by his grandfather were learned in private study. Aged 20, he left Austria with his girlfriend and relocated to South Africa where he worked in a chemical laboratory. He became involved in the struggle against apartheid but returned to Austria five years later. There he married his Canadian wife and adopted her surname Sullivan. At the age of 27 he decided to become a professional musician. He studied guitar in Toronto for two years and learned to play flamenco music. After separating from his wife, he went on another journey and learned to play the nose flute on the Philippines. This was also where he began to develop his own musical style by incorporating elements of a foreign traditional music into the traditional music of his home country Austria. Back in Austria in 1984, he worked as a freelance musician and composer and studied electroacoustics and experimental music at the University of Music and Performing Arts, Vienna. In 1986 he and Wolfgang Staribacher founded the band Original Alpinkatzen. At this time he also adopted his stage name Hubert von Goisern while Staribacher was Wolfgang von Wien. Beginning with small performances in clubs and pubs, they published a studio album Alpine Lawine [Alpine Avalanche] in 1988 on CBS using the moniker "Alpinkatzen featuring Hubert von Goisern". Together with Wolfgang Ambros, Joesi Prokopetz and Manfred Tauchen the Alpinkatzen performed the Watzmann tour, a stage adaption of the audio drama Der Watzmann ruft [Mount Watzmann is calling]. Afterwards the band parted with Wolfgang Staribacher. Hubert von Goisern kept his stage name and continued the project with a number of new musicians: Stefan Engel (keys), Wolfgang Maier (drums), Reinhard Stranzinger (guitar) and Sabine Kapfinger (vocals). Kapfinger became later known as "Alpine Sabine" and eventually "Zabine". At first she participated in studio recordings only, but taught von Goisern how to yodel. The band had a breakthrough in 1992 with their album Aufgeigen stått niederschiassen [Striking up instead of shooting down] that featured the tracks "Heast as nit" (Austrian German for "don't you hear it"), "Weit, weit weg" [far, far away], and "Koa Hiatamadl" (dialectal for "no herder girl"). "Koa Hiatamadl" received extended airplay and peaked at No. 2 in the Austrian singles charts. The Alpinkatzen toured across German language countries and became one of the most successful Alpenrock bands. In 1994, the second album Omunduntn (dialectal for "Up and down") was released. It contains the track "Goisern" which is a German language adaption of Ray Charles' song "Georgia", and also reworked versions of the songs "Cocaine" and "Kren & Speck" [horse radish and bacon] from the Alpinkatzen's first album Alpine Lawine. A new tour was conducted through Austria, Switzerland and Germany. Another quick tour included performances in Paris, San Antonio and Austin, Texas, and New York City. It was the last concert tour by the Alpinkatzen. Their last concert was given on 1 November 1994. Shortly before, a performance at the Circus Krone Building had been filmed by director Joseph Vilsmaier and his wife Dana Vávrová. The documentary Wia die Zeit vergeht [how time passes by] was presented at the 1995 Munich Festival and was later published on VHS and DVD. The concert at Circus Krone was declared the farewell performance by the band. Apart from his musical activities, von Goisern had created two fashion lines together with his friend Klaus Höller, which were produced by Modehaus Meindl. Like his music, these collections were meant to interpret traditional elements in a modern way. Von Goisern made his debut as an actor in the 1995 television drama Hölleisengretl by director Jo Baier. He played the husband of protagonist Gretl (Martina Gedeck), and wrote the film score together with Austrian singer-songwriter Stefan Melbinger. Due to the Omunduntn tour he was unable to accept another acting offer for the role of Elias in Vilsmaier's film Brother of Sleep (German title: Schlafes Bruder), but he wrote the film score together with Winfried Grabe and Enjott Schneider. Other film music by Hubert von Goisern includes the scores for two films by Austrian actor and director Julian Pölsler in 1991, and a television film Die Fernsehsaga – Eine steirische Fernsehgeschichte [the TV saga – a Styrian television tale] (1995). The soundtrack for the children's television film Ein Rucksack voller Lügen [A backpack full of lies] was published in 1996 as Ein Sack voller Lügen [A bag full of lies]. Hubert von Goisern had been introduced to anthropologist Jane Goodall by their common friend, publisher Michael Neugebauer. Intrigued by her work and eventually invited by her for a visit to Gombe Stream National Park, von Goisern travelled to Tanzania in 1996 for the first time. During another voyage, a documentary film was made in cooperation with the Austrian ORF and German Bayerischer Rundfunk broadcasters: Von Goisern nach Gombe [From Goisern to Gombe]. The soundtrack Gombe was published on CD in 1998. Tseten Zöchbauer, chairwoman of the Austrian organisation Save Tibet introduced von Goisern to artists of the India-based Tibetan Institute of Performing Arts (TIPA). Subsequently, he accompanied and presented their Austrian tour. Afterwards he planned a voyage to Tibet and invited Zöchbauer, who had left her native country aged two, to come along. For six weeks they travelled through Tibet and later, in an ORF interview, reported on the status of the Tibetan people, culture, and relationship with their Chinese national government. Together with Wolfgang Spannberger he later travelled to Dharamshala, Himachal Pradesh, India, where the Central Tibetan Administration is located. There they met Tenzin Gyatso, the 14th Dalai Lama. With a mobile sound studio they recorded traditional Tibetan music performed by artists of TIPA. These recordings and other songs from a recording session with Tibetan guest musicians in Salzburg, Austria, were released in 1998 on the album Inexile [in exile]. The Dalai Lama followed an invitation by Hubert von Goisern and visited him in Bad Ischl in 1998. In 1999, Hubert von Goisern worked again on recordings for an album of his own. The tracks for Fön [Foehn wind] were recorded with a new band in the summer of 2000. The album was released the same year. In early 2001, the band went on a promotional tour starting in Linz, and Trad, a compilation of Austrian folk songs, was released. In May 2001, Hubert von Goisern received his first Amadeus Austrian Music Award as best national rock/pop artist. In his acceptance speech, which turned out to have been edited by ORF prior to airing, he criticised the Austrian music industry for a lack in supporting Austrian artists. Following the Fön tour, Hubert von Goisern played a number of concerts in Egypt and West African countries. In Assiut he shared the stage with Mohamed Mounir, one of the best-known Egyptian musicians, who fuses elements