Joseph Arthur

Joseph Lyburn Arthur (born September 28, 1971) is an American singer-songwriter and artist from Akron, Ohio. He is best known for his solo material, and as a member of Fistful of Mercy and RNDM. Arthur has built his reputation over the years through critically acclaimed releases and constant touring; his unique solo live performances often incorporate the use of a number of distortion and loop pedals, and his shows are recorded live at the soundboard and made available to concertgoers immediately following the show on recordable media. Arthur was discovered by Peter Gabriel in the mid-1990s, and signed to Gabriel's Real World label as the first North American artist on the label's roster. Arthur released his debut album, Big City Secrets (1997), and follow-up, Come to Where I'm From (2000), on Real World before signing with various independent labels between 2002 and 2006. He established his own record label, Lonely Astronaut Records, in 2006, and released two studio albums, Let's Just Be (2007) and Temporary People (2008) with backing band The Lonely Astronauts. Arthur subsequently returned to performing and recording as a solo artist, releasing The Graduation Ceremony in 2011 and the double album, Redemption City in 2012. In 2013, Arthur started a Pledge Music campaign to fund the release of his tenth studio album, The Ballad of Boogie Christ. The album was released on June 11, 2013. Arthur is also an acclaimed painter and designer; his artwork has appeared on all of his releases, with the sleeve design for his 1999 extended play Vacancy being nominated for a Grammy Award for Best Recording Package. Arthur began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, 'OK – I am not a singer, I am a musician.' I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn't playing complicated bass lines." Arthur graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store. In 1996, Peter Gabriel's A&R associate Harvey Schwartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind which was given to him by Mikel K, the man in which the third song on Big City Secrets was named. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label. Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. In April 2000, Arthur released his sophomore studio album Come to Where I'm From, which was co-produced with T-Bone Burnett and Tchad Blake. The album exhibited a more polished and accessible sound, and received positive accolades from Pitchfork Media and Entertainment Weekly. Arthur began playing for larger audiences, opening for Ben Harper and Gomez. During that same period, he released a promotional live album recorded at the Gypsy Tea Room bar in Dallas, Texas. After releasing a series of four EPs called Junkyard Hearts, which were only available to purchase at his live shows, his third album, Redemption's Son, came out in May 2002 in the UK. The American release was delayed until November 2002 since Arthur had been dropped by EMI in North America, having been picked up by Universal Music Group imprint Enjoy Records. The double album furthered the themes of emotional and spiritual dislocation found on Come to Where I'm From, and was described by Allmusic reviewer Thom Jurek as a "sleeper hit". While on tour, Arthur regularly released recordings of his performances soon after each show. He also recorded an album with alternative rock side project Holding the Void, featuring himself on vocals and guitar, Pat Sansone on vocals and bass, and Rene Lopez on vocals and drums. In Summer 2003, he toured with Tracy Chapman in the US. Arthur signed a new recording contract with Vector Recordings and began recording his fourth studio album, Our Shadows Will Remain across New Orleans, New York City, London, and Prague. The album was released in September 2004, and was Arthur's first album to feature string arrangements, provided by the City of Prague Philharmonic. The album was released to widespread critical acclaim; Allmusic's Thom Jurek awarded the album 4.5 out of 5 stars, praising that, "Arthur is in a class of his own and Our Shadows Will Remain is a monstrous, memorable outing, his finest moment in a career that is thus far full of them." Entertainment Weekly gave the album an A rating, hailing the album as "especially forceful and cohesive"; The Guardian hailed that Joseph "might just be a genuine mad genius"; Stylus Magazine gave the album an A− rating; and Chris Rubin of Rolling Stone named Our Shadows Will Remain as the number 1 album of the year 2004 in the year-end critics' pick list. Arthur toured the US alone and with Joan Wasser to promote the album, and a new EP called And the Thieves Are Gone, which collected unreleased tracks from the Shadows recording sessions, came out in December. Shortly afterward, Arthur went on a brief tour of Europe with R.E.M. Our Shadows Will Remain was picked up by 14th Floor Records for distribution in the United Kingdom in 2005, which yielded the release of four singles: "Can't Exist" in July, "Even Tho" in September, "Devil's Broom" in February 2006 to coincide with his first headlining appearance at London's Shepherd's Bush Empire, and a reissue of "Can't Exist" in May 2006, although none of the singles charted on the UK Singles Chart. In August 2006, Joseph was invited to help launch the project A River Blue, where a group of young people in northern Uganda were brought together to participate in a music, drama, and art festival. Joseph also recorded the song "A River Blue" for the foundation. In 2006, Arthur started the record label Lonely Astronaut Records with longtime professional partner Lauren Pattenaude. He released a book entitled We Almost Made It, a visual collection of his artworks, along with an accompanying instrumental CD titled The Invisible Parade in May 2006. In September 2006, Arthur released his fifth studio album, Nuclear Daydream, which was recorded in Berlin and Los Angeles. The album would be the first release on his new label. Joseph then embarked on a worldwide tour with his new backing band, The Lonely Astronauts. His song "In the Sun" was covered by Michael Stipe of R.E.M. and Chris Martin of Coldplay in 2006 for a Hurricane Katrina relief EP. The EP includes six versions of the song, one featuring Arthur himself singing with Stipe and another remixed by Justin Timberlake, and is available only on iTunes. On March 26, 2007, Joseph's then-UK