Anton Pann

Anton Pann (Romanian pronunciation: [anˈton ˈpan]; born Antonie Pantoleon-Petroveanu [anˈtoni.e pantoleˈon petroˈve̯anu], and also mentioned as Anton Pantoleon or Petrovici; 1790s—2 November 1854) was an Ottoman-born Wallachian composer, musicologist, and Romanian-language poet, also noted for his activities as a printer, translator, and schoolteacher. Pann was an influential folklorist and collector of proverbs, as well as a lexicographer and textbook author. Pann was born sometime between 1794 and 1798, in Sliven, Rumelia (in what is today Bulgaria). According to some accounts, his mother, Thomaida, was an ethnic Greek, while his father, Pantoleon Petrov, was Bulgarian; it is known that he worked as a coppersmith bucket-maker. There is a commonly held view by Romani community activists, who consider Pann among the most prominent Romani artists. This view is also accepted by some Romanian authors. Various other interpretations state that Pantoleon Petrov, who died during Anton Pann's childhood, was Bulgarian, Aromanian, or Romanian. The writer, who was the youngest of Petrov and Thomaida's three sons, eventually adopted the surname Pann, as a colloquial contraction of his father's given name. After he began primary education at the communal school in Sliven, the Petrovs fled the region during the Russo-Turkish War of 1806–1812 and settled in Chișinău, Bessarabia, where Anton was first employed by a Russian Orthodox choir. His two brothers were killed in the skirmishes around Brăila, as volunteers on the Imperial Russian side. Moving with his mother to Bucharest in 1810-1812, Pann would spend most of his life in the city. Anton Pann carried on with his choral activities in Wallachia, was employed as a sexton by the Romanian Orthodox Olari and Sfinților Churches, before being tutored by the Greek musician Dionysios Foteinos (1777–1821) and allowed to attend the religious music school founded by Petros Ephesios (d. 1840). Perfecting his craft, he came to the attention of Metropolitan Dionisie Lupu, who appointed him on a commission charged with translating liturgical works from Slavonic to Romanian. The memoirist Ion Ghica later recounted that Pann attended the Saint Sava College, but this remains disputed. In 1820, he first married Zamfira Azgurean, in what was to be the first of his unhappy romantic liaisons. In 1821, when Tudor Vladimirescu's rebellious forces occupied the city, Pann fled to the Transylvanian city of Kronstadt (part of the Austrian Empire), and was employed as a cantor by the Saint Nicolas Church in the ethnic Romanian neighborhood of Șchei. This temporary refuge over the Southern Carpathians mirrored that of other cultural and religious figures of the day, his fellow musician Macarie Ieromonahul among them. He also spent time in Râmnicu Vâlcea (1827), where he was a teacher at the Orthodox seminary and, in parallel, lectured on religious music to the nuns of the Dintr-un Lemn Monastery [ro]. A scandal erupted after Pann used his position at the latter institution to seduce Anica, the mother superior's 16-year-old niece. Unsuccessfully offering her legal guardians to marry Anica in church, he eloped with her back to Șchei. While there, he became friends with the writer Ioan Barac, whom he had probably met earlier, and who, according to Pann's own testimony, gave him lessons in meter. According to some sources, he also took a trip to Buda. The literary critic Tudor Vianu attributes to Barac and Vasile Aaron, whose work constituted an adaption of various chanson de geste themes, the merit of having inspired Pann to pursue a literary career. Returning to Râmnicu Vâlcea in 1828, he was officially expelled from his teaching position, and, in 1828, he returned to work as a cantor for the Bucharest school on Podul Mogoșoaiei. Over the following decade, Pann authored a large panel of musical and literary works, including Noul Doxastar, which, adapted and partly recreated from Dionisie Fotino's version, assembled all officially-endorsed pieces of Christian music, and which he prefaced. According to his own testimony, this had required a major financial effort, one which almost caused his bankruptcy. In 1837, he separated from Anica, with whom he had fathered a son (Gheorghiță) and a daughter (Tinca). Anton Pann married a third and final time in 1840, to Catinca (the more common name of Ecaterina). All three of his wives survived his death; his son by Zamfira, Lazăr, was to become an Orthodox priest. From 1842 to 1851, with support gained from Metropolitan Neofit, Pann was employed as a music teacher by the main seminary in Bucharest (in parallel, he continued to sing at the Albă Church [ro]). During those years, he began associating with famous lăutari of his day, and regularly attended the lively social gatherings held in the gardens and orchards of Mitropoliei Hill. A passionate collector of classical-Ottoman and Romani music, which formed the staple of the lăutari repertory ever since the Phanariote period, Pann later printed some of the earliest manele tablatures. This was matched by his interest in other musical traditions: in his churchly practice, he endorsed the tradition of Byzantine hymns and removed modulations of Levantine inspiration, while he was among the first of his generation to use modern notation and Italian markings for tempo. In 1843, Pann established a printing press inside the Olteni Church, which published works by several authors of his day, as well as a long series of almanacs. He later confessed that this enterprise had drained his economies, and that he had relied on support from various benefactors. Upon Neofit's request, he also began the translation of various religious texts. Pann's comprehensive and innovative textbook for music, Bazul teoretic şi practic al muzicii bisericeşti ("The Theoretical and Practical Basis of Church music or the Melodic Grammar"), was officially endorsed by the Metropolitan and taught at the seminary after 1845 and became a template for similar works; in addition, his printing shop sold cheap copies of popular novels, such as the Alexander Romance, the Book of 1001 Nights, the Book of Til Owl-Mirror, and the Story of Genevieve of Brabant. In March 1847, Anton Pann authored an account of the Great Fire of Bucharest. During the latter disaster, his printing shop was heavily damaged, and he was only able to salvage the presses. He resumed his activities only in 1849, when he moved the business to a house owned by Catinca Pann on Taurului Street. In 1848, he published a lexicon of words and expressions in Romanian, Russian, and Ottoman Turkish. Later in the same year, Pann sided with the liberal revolutionaries in their action against Prince Gheorghe Bibescu, was a supporter of the new Wallachian Provisional Government, participating in popular rallies in Craiova and Râmnicu Vâlcea (see 1848 Wallachian revolution). The following year, after falling severely ill, he wrote down the first version of his testament in verse (Adiata), in which he asked to be buried in Viforâta Monastery [ro] (where he hoped that his wife Catinca would become a nun). After a series of other satirical works, Pann produced a collection of writings centered on the figure of Nastratin Hogea and owing inspiration to Balkan folklore at large (first published in 1853). In autumn 1854, Pann fell ill with typhus and the common cold during a visit to Râmnicu Vâlcea, dying soon after at his Bucharest residence; he was buried in the Lucaci Church of Bucharest, although, in his second will of August, he had asked for his final resting place to be the hermitage of Rozioara (this failure to comply was attributed to the difficulties in transportation). Catinca Pann remarried soon after this. During the early 1900s, Lucaci Church became home to a monument in Pann's honor, donated by the General Association of Church Singers — an institution presided over by Ion Popescu-Pasărea [ro]. Pann's literary creation was noted for