The Nonesuch Guide To Electronic Music
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Beaver & Krause were an American musical duo comprising Paul Beaver and Bernie Krause. Their 1967 album The Nonesuch Guide to Electronic Music was a pioneering work in the electronic music genre. The pair were Robert Moog's sales representatives on the U.S. West Coast and were instrumental in popularizing the Moog synthesizer during the late 1960s. As recording artists for Warner Bros. más sobre Beaver & Krause →
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Canciones
- A1 I. Peace Three 3:08
- II. Signal Generators
- A. Sine Waveform
- A2a 1. Slow-Motion Audible Example 0:05
- A2b 2. Composition 0:50
- A2c 3. Harmonic Synthesis 0:33
- A2d 4. Non-Harmonic Synthesis 0:37
- B. Sawtooth Waveform
- A3a 1. Slow-Motion (Negative- And Positive-Going) 0:12
- A3b 2. Composition 0:34
- C. Rectangular Waveform
- A4a 1. Slow-Motion Audible Example (1/8-1/2) 0:28
- A4b 2. Composition (Using 1/8, 1/7, 1/3, 1/2) 0:35
- D. Triangular Waveform
- A5a 1. Slow-Motion Audible Example 0:05
- A5b 2. Composition 0:20
- -
- A6 E. White Sound Composition 0:13
- III. Control Generators
- A7a A. Transient Generator, Amplitude, Frequency And Timbre Modulating In Slow-Motion 0:08
- A7b B. Sequential Voltage Sources. Composition 1:55
- IV. Frequency Modulation
- A. Keyboard Control
- B1a 1. 12-Tone 0:32
- B1b 2. Quarter-Tone (One Real Octave = 2 Keyboard Octaves) 0:40
- B1c 3. Ditone (Four Real Octaves Played In Keyboard Range Of One Octave) 0:31
- B1d 4. Portamento 0:23
- -
- B2 B. Ribbon Control 0:30
- C. Periodic
- B3a 1. Vibrato Ⓢ (Speed Increases As Pitch rises) 0:28
- B3b 2. Sine-Higher Frequency 0:27
- B3c 3. Sawtooth-Swept 0:38
- B3d 4. Rectangular 1/2-Swept L2 0:32
- B3e 5. Triangular-Swept 0:31
- D. Periodics Combined
- B4a 1. 3 Square Waves At Different Frequencies 0:28
- B4b 2. 3 Triangular Waves At Different Frequencies 0:37
- B4c 4 Different Waveforms 2L 2N 2V 2S At Different Frequencies 0:46
- -
- B5 E. White Sound 0:12
- F. Transient
- B6a 1. Up An Octave, Back To Pitch 0:17
- B6b 2. Up A 3rd, Back To Pitch 0:07
- B6c 3. Down An Octave, Back To Pitch 0:09
- B6d 4. Down A 3rd, Back To Pitch 0:13
- V. Amplitude Modulation
- C1 A. Keyboard 0:13
- C2 B. Ribbon Controller 0:10
- C. Periodic
- C3a 1. Tremolo 0:25
- C3b 2. Sine-Higher Frequencies (S Sweeping S) 0:47
- C3c 3. Sawtooth (Negative- And Positive-Going Swept) 1:20
- C3d 4. Rectangular-L2 Swept 0:28
- C3e 5. Triangular-Swept 0:50
- D. Periodics Combined
- C4a 1. 4 Square 0:44
- C4b 2. 3 Triangular 0:23
- C4c 3. 4 Different Ⓢ, Ⓝ, 2L, Ⓥ 0:23
- -
- C5 E. White Sound 0:38
- F. Transient
- C6a 1. Slow 0:08
- C6b 2. With Rising Pitch 0:15
- C6c 3. ∧∧∧∧∧ 0:14
- VI. Ring Modulation
- A. Sine Waves
- C7a 1. Series Of Sub-Audible Constants 2:00
- C7b 2. Tune In Parallel 0:40
- C7c 3. Tuned In Opposite Direction 0:30
- -
- C8 B. Sawtooth 0:33
- C9 C. Rectangular L2 0:39
- VII. Filtering
- D1 A. White Sound - With Fixed Filters Selected 3rd Octave 0:25
- B. White-Sound-Tuned Filters
- D2a 1. Broad 0:43
- D2b 2. Sharp 0:25
- -
- D3 C. Low-Frequency Sawtooth-Tuning Through Harmonics 1:05
- D4 D. Composition-Tuning Through 2nd, 3rd, 7th And 16th Harmonics 0:50
- D5 E. Swept With Ribbon Controller 0:40
- F. Periodic
- D6a 1. Sine-Timbre Vibrato Effect 0:25
- D6b 2. Sine-Variable Rate And Depth 0:36
- D6c 3. Sawtooth (Descending And Ascending) 0:50
- D6d 4. Rectangular
- G. Transient (Sawtooth With Transient Controlled Filter)
- D7a 1. ----------------- 0:12
- D7b 2. ----------------- 0:10
- D7c 3. ------------------ 0:09
- D7d 4. ------------------ 0:08
- VIII. Tape Delay
- D8 A. Single Repeat 0:13
- D9 B. Multiple Repeat 2:55
- -
- D10 IX. Peace Three (Recap) 3:08
Tracklist de la edición de referencia del disco.